AWAKE CONCERT - OCTOBER 6, 2026

 

AWAKE

CONCERT PROGRAM

Christ Church Cathedral

2919 St. Charles Avenue, New Orleans

Brian Martinez, conductor

01 / THE MUSIC

O Radiant Dawn

James MacMillan (b. 1959)

Master Chorale

O Radiant Dawn,Splendour of eternal Light,Sun of Justice:come, shine on those who dwell in darknessand the shadow of death.

Isaiah had prophesied,‘The people who walked in darknesshave seen a great light;upon those who dwelt in the land of glooma light has shone.’

Amen.

Isaiah 9.2

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02 / THE MUSIC

Rejoice in the Lamb

Benjamin Britten (1913–1976) · Op. 30

Master Chorale · Jarrett R. Follette, organ

Christopher Smart, from Jubilate Agno

About Rejoice in the Lamb

Composed in 1943, Britten’s cantata sets Christopher Smart’s Jubilate Agno. A cat, mouse, flowers, and instruments join its exuberant praise, which passes through personal anguish toward a serene final Hallelujah.

Rejoice in God, O ye Tongues; give the glory to the Lord, and the Lamb.Nations, and languages, and every Creature, in which is the breath of Life.Let man and beast appear before him, and magnify his name together.

Let Nimrod, the mighty hunter, bind a Leopard to the altar, and consecrate his spear to the Lord.Let Ishmael dedicate a Tyger, and give praise for the liberty in which the Lord has let him at large.Let Balaam appear with an Ass, and bless the Lord his people and his creatures for a reward eternal.Let Daniel come forth with a Lion, and praise God with all his might through faith in Christ Jesus.Let Ithamar minister with a Chamois, and bless the name of Him, that cloatheth the naked.Let Jakim with the Satyr bless God in the dance.Let David bless with the Bear - The beginning of victory to the Lord - to the Lord the perfection of excellence.

Hallelujah from the heart of God, and from the hand of the artist inimitable, and from the echo of the heavenly harp in sweetness magnifical and mighty.

Sacha Bryan · Soprano solo

For I will consider my cat Jeoffry.For he is the servant of the Living God, duly and daily serving him.For at the first glance of the glory of God in the East he worships in his way.For this is done by wreathing his body seven times round with elegant quickness.For he knows that God is his Saviour.For God has blessed him in the variety of his movements.For there is nothing sweeter than his peace when at rest.For I am possessed of a cat, surpassing in beauty, from whom I take occasion to bless Almighty God.

Jan Schluter · Alto solo

For the Mouse is a creature of great personal valour.For - this is a true case - Cat takes female mouse - male mouse will not depart, but stands threat'ning and daring.If you will let her go, I will engage you, as prodigious a creature as you are.For the Mouse is a creature of great personal valour.For the Mouse is of an hospitable disposition.

Joshua Martin · Tenor solo

For the flowers are great blessings.For the flowers have their angels even the words of God's Creation.For the flower glorifies God and the root parries the adversary.For there is a language of flowers.For flowers are peculiarly the poetry of Christ.

For I am under the same accusation with my Saviour -For they said, he is besides himself.For the officers of the peace are at variance with me, and the watchman smites me with his staff.For Silly fellow! Silly fellow! is against me and belongeth neither to me nor to my family.For I am in twelve HARDSHIPS, but he that was born of a virgin shall deliver me out of all.

Horace English · Bass solo

For H is a spirit and therefore he is God.For K is king and therefore he is God.For L is love and therefore he is God.For M is musick and therefore he is God.

For the instruments are by their rhimes.For the Shawm rhimes are lawn fawn moon boon and the like.For the harp rhimes are sing ring string and the like.For the cymbal rhimes are bell well toll soul and the like.For the flute rhimes are tooth youth suit mute and the like.For the Bassoon rhimes are pass class and the like.For the dulcimer rhimes are grace place beat heat and the like.For the Clarinet rhimes are clean seen and the like.For the trumpet rhimes are sound bound soar more and the like.For the TRUMPET of God is a blessed intelligence and so are all the instruments in HEAVEN.For GOD the father Almighty plays upon the HARP of stupendous magnitude and melody.For at that time malignity ceases and the devils themselves are at peace.For this time is perceptible to man by a remarkable stillness and serenity of soul.

Hallelujah from the heart of God, and from the hand of the artist inimitable, and from the echo of the heavenly harp in sweetness magnifical and mighty.

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03 / THE MUSIC

Frostiana

Randall Thompson (1899–1984)

NOVA Chorale · Dr. Brandon Banks, collaborative pianist

Seven Country Songs · Poems by Robert Frost

About Frostiana

Commissioned in 1958 for the bicentennial of Amherst, Massachusetts, Frostiana sets seven poems by Robert Frost. Thompson conducted the premiere on October 18, 1959, at Amherst Regional High School, with Frost in the audience. The Bicentennial Chorus brought together singers from local churches and schools. Thompson alternates mixed, men’s, and women’s voices, making The Telephone a dialogue at the center of the cycle. Familiar country scenes open onto questions of choice, connection, and perspective, ending with the steadiness sought in Choose Something Like a Star.

1.The Road Not Taken

Two roads diverged in a yellow woodAnd sorry I could not travel bothAnd be one traveler, long I stoodAnd looked down one as far as I couldTo where it bent in the undergrowth;

Then took the other, as just as fair,And having perhaps the better claim,Because it was grassy and wanted wear;Though as for that the passing thereHad worn them really about the same,

And both that morning equally layIn leaves no step had trodden black.Oh, I kept the first for another day!Yet knowing how way leads on to way,I doubted if I should ever come back.

I shall be telling this with a sighSomewhere ages and ages hence:Two roads diverged in a wood, and I -I took the one less traveled by,And that has made all the difference.

2.The Pasture

I’m going out to clean the pasture spring;I’ll only stop to rake the leaves away(And wait to watch the water clear, I may):I sha’n’t be gone long. - You come too.

I’m going out to fetch the little calfThat’s standing by the mother. It’s so youngIt totters when she licks it with her tongue.I sha’n’t be gone long. - You come too.

3.Come In

As I came to the edge of the woods,Thrush music - hark!Now if it was dusk outside,Inside it was dark.

Too dark in the woods for a birdBy sleight of wingTo better its perch for the night,Though it still could sing.

The last of the light of the sunThat had died in the westStill lived for one song moreIn a thrush’s breast.

Far in the pillared darkThrush music went -Almost like a call to come inTo the dark and lament.

But no, I was out for stars;I would not come in.I meant not even if asked,And I hadn’t been.

4.The Telephone

‘When I was just as far as I could walkFrom here today,There was an hourAll stillWhen leaning with my head against a flowerI heard you talk.Don’t say I didn’t, for I heard you say -You spoke from that flower on the window sill -Do you remember what it was you said?’

‘First tell me what it was you thought you heard.’

‘Having found the flower and driven a bee away,I leaned my head,And holding by the stalk,I listened and I thought I caught the word -What was it? Did you call me by my name?Or did you say -Someone said “Come” - I heard it as I bowed.’

‘I may have thought as much, but not aloud.’

‘Well, so I came.’

5.A Girl’s Garden

A neighbor of mine in the villageLikes to tell how one springWhen she was a girl on the farm, she didA childlike thing.

One day she asked her fatherTo give her a garden plotTo plant and tend and reap herself,And he said, ‘Why not?’

In casting about for a cornerHe thought of an idle bitOf walled-off ground where a shop had stood,And he said, ‘Just it.’

And he said, ‘That ought to make youAn ideal one-girl farm,And give you a chance to put some strengthOn your slim-jim arm.’

It was not enough of a garden,Her father said, to plow;So she had to work it all by hand,But she don’t mind now.

She wheeled the dung in the wheelbarrowAlong a stretch of road;But she always ran away and leftHer not-nice load,

And hid from anyone passing.And then she begged the seed.She says she thinks she planted oneOf all things but weed.

A hill each of potatoes,Radishes, lettuce, peas,Tomatoes, beets, beans, pumpkins, cornAnd even fruit trees.

And yes, she has long mistrustedThat a cider apple treeIn bearing there today is hers,Or at least may be.

Her crop was a miscellanyWhen all was said and done,A little bit of everything,A great deal of none.

Now when she sees in the villageHow village things go,Just when it seems to come in right,She says, ‘I know!

‘It’s as when I was a farmer - ’Oh, never by way of advice!And she never sins by telling the taleTo the same person twice.

6.Stopping by Woods on a Snowy Evening

Whose woods these are I think I know.His house is in the village though;He will not see me stopping hereTo watch his woods fill up with snow.

My little horse must think it queerTo stop without a farmhouse nearBetween the woods and frozen lakeThe darkest evening of the year.

He gives his harness bells a shakeTo ask if there is some mistake.The only other sound’s the sweepOf easy wind and downy flake.

The woods are lovely, dark and deep,But I have promises to keep,And miles to go before I sleep,And miles to go before I sleep.

7.Choose Something Like a Star

O Star (the fairest one in sight),We grant your loftiness the rightTo some obscurity of cloud -It will not do to say of night,Since dark is what brings out your light.Some mystery becomes the proud.But to be wholly taciturnIn your reserve is not allowed.Say something to us we can learnBy heart and when alone repeat.Say something! And it says, ‘I burn.’But say with what degree of heat.Talk Fahrenheit, talk Centigrade.Use language we can comprehend.Tell us what elements you blend.It gives us strangely little aid,But it does tell something in the end.And steadfast as Keats’ Eremite,Not even stooping from its sphere,It asks a little of us here.It asks of us a certain height,So when at times the mob is swayedTo carry praise or blame too far,We may choose something like a starTo stay our minds on and be staid.

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04 / THE MUSIC

Supplication

Margaret Bonds (1913–1972)

NOVA Chorale · Dr. Brandon Banks, collaborative pianist

Text: Roger Chaney (1908–1991)

Once more I offer you my adoration.I offer you my love.Once more I beg of you:heed my supplication.

I want to love again,and learn to smile.I want to learn to smile.I want to live againthe life you made worthwhile.

You are my destiny, my exaltation.Can fate intend for me only consolation,or will I ever thrill at last,or will I thrill at lastto love divine?

This is my tender supplication.This is my tender plea.

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The musicians

Brian MartinezArtistic Director & Conductor

A New Orleans native, Brian Martinez is a conductor, composer/arranger, singer, educator, and percussionist. His more than two decades of teaching experience encompass choirs ranging from the youngest elementary singers to seasoned choral veterans. His previous conducting appointments include The University Chorus and Northshore Chorale at Southeastern Louisiana University and the Louisiana Ovation Vocal Ensemble in St. Charles Parish. He also conducts honor choirs, adjudicates music festivals, leads choral clinics, and has served as music director for school and professional musical theater productions.

His ensembles have earned superior ratings and sweepstakes honors at regional and state festivals. His Lakewood Elementary choir was selected to perform at the 2024 Louisiana ACDA Conference, and he was named the school’s Teacher of the Year in 2020. As a composer and arranger, he creates accessible, thoughtfully crafted choral music shaped by his experience as a conductor and educator. He also develops resources to support music educators, performers, and ensembles.

He has sung with the New Orleans Opera Chorus, NOVA, and St. Patrick’s Church. His percussion work spans honor choirs, community ensembles, musicals, and freelance performances. He holds a Master of Music Education in Choral Conducting from Florida State University and a Bachelor of Music Education from Southeastern Louisiana University, along with K–12 teaching and Level 1 Orff certifications. His mentors include Drs. André Thomas, Kevin Fenton, Judy Bowers, Alissa Rowe, and Meg Frazier.

Dr. Brandon BanksCollaborative pianist

Dr. Brandon Banks is a Lecturer of Piano and Collaborative Pianist at Tulane University. Originally from North Carolina, he began his piano studies at the age of 14. During his education, he began working in community theater. He has musically directed over 60 musicals, including Rent, In The Heights, Jagged Little Pill, 9 to 5: The Musical, Urinetown: The Musical, The Color Purple, Guys and Dolls, Company, Pippin, and Blood Brothers. He serves as a music director at the Jefferson Performing Arts Center in New Orleans and the performing arts camp Belvoir Terrace in Massachusetts. He has accompanied vocalists, instrumentalists, and choirs throughout the United States. He specializes in the music of Paul Hindemith and is currently working on recording all the works written for piano. He received his doctorate in collaborative piano from Florida State University (2023). He is a member of the music honor society Pi Kappa Lambda and has previously worked at the New Orleans Center For The Creative Arts (2025-2026) and Loyola University (2024-2026).

Jarrett R. FolletteOrganist

Canon Precentor, Christ Church Cathedral

Jarrett Follette has been the Organist and Choir Director at Christ Church Cathedral for 20 years. Prior to that he worked at cathedrals and parish churches in Shreveport, Durham, NC, and Lafayette, IN. He earned his Master of Music from Indiana University where he studied with Larry Smith and Marilyn Keiser. While there, he also completed an apprenticeship in Church Music with Frank Boles at St. Paul’s Episcopal Church, Indianapolis.

The NOVA Singers

NOVA Chorale
* Master Chorale member

Soprano

  • Mary Bordelon
  • Anjle Latiha C.
  • Katherine Davydova , Master Chorale member
  • Cheryl Dupont , Master Chorale member
  • Stephanie Dureau , Master Chorale member
  • Jana Fredricks
  • Caterina Gamundi , Master Chorale member
  • Christina Ginocchio , Master Chorale member
  • Jeannine Grego , Master Chorale member
  • Anna Harlan
  • Meredith Hotard , Master Chorale member
  • Alice Hull , Master Chorale member
  • Lizzie Keene , Master Chorale member
  • Sunmi Kim
  • Avery Legendre
  • Jessica McKeown , Master Chorale member
  • Karen Milligan
  • Rachel Ricks , Master Chorale member
  • Karen Sedtal
  • Lina Shukry , Master Chorale member

Alto

  • Sarah Ruth Altman , Master Chorale member
  • Katy Ancelet , Master Chorale member
  • Sacha Bryan , Master Chorale member
  • Caroline V. Christopher , Master Chorale member
  • Alice Clark , Master Chorale member
  • Rebecca Coatney , Master Chorale member
  • Jamela Dermish
  • Eva Elfishawy
  • Claire Gerling , Master Chorale member
  • Maureen Herring
  • Melinda Hollings , Master Chorale member
  • Mary L McConnell
  • Madie Murnane
  • Andrea Ribando , Master Chorale member
  • Jan Schluter , Master Chorale member
  • Beth Sherwood
  • Kathleen Sullivan , Master Chorale member
  • Rebecca Sullivant , Master Chorale member
  • Kedren Turner

Tenor

  • John Henry Dasinger , Master Chorale member
  • Jay Eickenhorst
  • David A Estes Jr
  • Benjamin Marcello , Master Chorale member
  • Joshua Martin , Master Chorale member
  • Nick Poché
  • Philip Ricks , Master Chorale member
  • Johnny Tolentino , Master Chorale member

Bass

  • Haroon Alli , Master Chorale member
  • Eric Anderson , Master Chorale member
  • Clark Charbonnet
  • Horace English , Master Chorale member
  • Hank Fanberg , Master Chorale member
  • Rhys Frickey , Master Chorale member
  • Bryan Gilbert , Master Chorale member
  • Christopher Hines
  • Andrew Hollenbach , Master Chorale member
  • Cassius Lemann , Master Chorale member
  • Tre Louis
  • Joseph Mace , Master Chorale member
  • Rowan Marye , Master Chorale member
  • Augusto Ochoa
  • Mike Rihner
  • Zachary Russell , Master Chorale member
  • Dan Schultz

Board & staff

Officers

Betsy Widhalm
President
Jessica McKeown
Secretary
Joseph Mace
Treasurer
Caitlin Scanlan
Development Chair

Board members

Rebecca Coatney
Board member
Julie Grant Meyer
Board member
Hank Fanberg
Board member
Andrew Hollenbach
Board member
Clark Charbonnet
Board member

Staff

Brian Martinez
Artistic Director
Kelly Cuppett
Personnel Coordinator

The 2026–2027 season

  • AWAKE


    7:30 PM

    Christ Church Cathedral
    2919 St. Charles Avenue, New Orleans

    Music by MacMillan, Britten, Thompson, and Bonds.

  • SERENITY


    7:30 PM

    St. Stephen’s Basilica
    1025 Napoleon Avenue, New Orleans

    Music by Pärt, Gjeilo, Paulus, Praetorius, Thompson, and more.

  • TIME TO NOTICE


    7:30 PM

    St. Charles Avenue Presbyterian Church
    1545 State Street, New Orleans

    Music by Whitacre, Rutter, Effinger, Jennifer Lucy Cook, and more.

With gratitude

NOVA gratefully thanks Christ Church Cathedral and The Very Rev. David A. duPlantier, Dean, for welcoming us and providing this beautiful space.

Videography: Christian Betts

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